Examines all the major types of mechatronic systems used in railway applications Surveys rail vehicle mechatronic design processes with practical sources and references Outlines modelling approaches for rail vehicles, from concept to finishined prototype Analyzes system integration of complex railway mechatronic systems Presents numerical experiments and mechatronic models with railway transport applications

This is the first book to explore in depth the science of climbing and mountaineering. Written by a team of leading international sport scientists, clinicians and climbing practitioners, it covers the full span of technical disciplines, including rock climbing, ice climbing, indoor climbing and mountaineering, across all scientific fields from physiology and biomechanics to history, psychology, medicine, motor control, skill acquisition, and engineering. Striking a balance between theory and practice, this uniquely interdisciplinary study provides practical examples and illustrative data to demonstrate the strategies that can be adopted to promote safety, best practice, injury prevention, recovery and mental preparation. Divided into six parts, the book covers all essential aspects of the culture and science of climbing and mountaineering, including: physiology and medicine biomechanics motor control and learning psychology equipment and technology. Showcasing the latest cutting-edge research and demonstrating how science translates into practice, The Science of Climbing and Mountaineering is essential reading for all advanced students and researchers of sport science, biomechanics and skill acquisition, as well as all active climbers and adventure sport coaches.

With the increasing demands for safer freight trains operating with higher speed and higher loads, it is necessary to implement methods for controlling longer, heavier trains. This requires a full understanding of the factors that affect their dynamic performance. Simulation techniques allow proposed innovations to be optimised before introducing them into the operational railway environment. Coverage is given to the various types of locomotives used with heavy haul freight trains, along with the various possible configurations of those trains. This book serves as an introductory text for college students, and as a reference for engineers practicing in heavy haul rail network design,

This is the first book to explore in depth the science of climbing and mountaineering. Written by a team of leading international sport scientists, clinicians and climbing practitioners, it covers the full span of technical disciplines, including rock climbing, ice climbing, indoor climbing and mountaineering, across all scientific fields from physiology and biomechanics to history, psychology, medicine, motor control, skill acquisition, and engineering. Striking a balance between theory and practice, this uniquely interdisciplinary study provides practical examples and illustrative data to demonstrate the strategies that can be adopted to promote safety, best practice, injury prevention, recovery and mental preparation. Divided into six parts, the book covers all essential aspects of the culture and science of climbing and mountaineering, including: physiology and medicine biomechanics motor control and learning psychology equipment and technology. Showcasing the latest cutting-edge research and demonstrating how science translates into practice, The Science of Climbing and Mountaineering is essential reading for all advanced students and researchers of sport science, biomechanics and skill acquisition, as well as all active climbers and adventure sport coaches.

This contributed volume arose from the idea of assembling scientists from space research and ground development, time transfer techniques and radio science missions, the time-frequency community, and both the geodesy-geophysics and solar system exploration communities. Such a fusion of diverse interests in these fields related to time measurement has rarely, if ever, been achieved. The topics covered in these papers include clocks, time transfer, technology, and the applications of high-precision clocks in Earth Sciences, Fundamental Physics, Astrophysics, and Solar System exploration. This book will be of major interest to all those involved in the implementation and utilization of space-based high precision timing for a wide range of applications. Originally published in Space Science Reviews in the Topical Collection "High Performance Clocks with Special Emphasis on Geodesy and Geophysics and Applications to Other Bodies of the Solar System"

IIncludes: "Hound "by Maria Oshodi, "Soft Vengeance "by April de Angelis, "Sympathy for the Devil "by Roy Winston, "Fittings: The Last Freakshow "by Mike Kenny, "Into the Mystic "by Peter Wolf, and "Peeling "by Katie O'Reilly. Introduced by Jenny Sealey, Artistic Director of Graeae Theatre Company, the U.K.'s leading theatre company working with disabled artists.

In Understanding Alan Bennett, Peter Wolfe conveys Bennett's originality, complexities of thought, and creative vigor while examining Bennett in his various roles as actor, director, playwright, and lyricist. As Wolfe illustrates, Bennett's success in his many spheres was no fluke. Bennett's theatrical eminence has been accompanied by awards and professional recognition. His play Single Spies won the Oliver Award as England's best comedy for 1989. The casts of his plays, starting with Forty Years On in 1968, have included such luminaries as Sir John Gielgud, Sir Alec Guinness, Joan Plowright, Maggie Smith, Alan Bates, and Daniel Day Lewis. His screenwriting earned The Madness of King George a nomination for an Academy Award, and Talking Heads was in its twenty-seventh printing in 1995, after seven years in print.

Bennett's ability to write scripts at once funny and sad has lifted him to heights occupied by few of his peers. Understanding Alan Bennett illuminates the writer whose instinct for artistic choices has helped him succeed on his own terms.

The classic television show "The Twilight Zone" explored the possibilities inhering in the ordinary. A "Twilight Zone" episode moved us by being poignant and intimate, rambunctious or thought provoking. But whether it takes place on an asteroid, in a city pool room, or in the backwoods, it will usually convey both a folklorist's eye for detail and the born raconteur's sense of pace. Rod Serling, the show's originator, main scriptwriter, and artistic director, knew how much burden he could place on his rhetorical and dramatic gifts. Deservedly celebrated as a pioneer fiction writer for television, Serling always grounded his work in the human condition: he wrote movingly about history and loyalty, the grip of everyday reality, and the dangers of both forgetting about one's ghosts and giving them the upper hand.

An atmospheric and chilling crime thriller from an internationally bestselling author, perfect for readers of Ann Cleeves and Peter James. If the system can't make them pay, then he will . . . Former chief of police, Ubbo Heide, is enjoying a peaceful seaside retirement - until a gruesome package containing a severed head turns up on his doorstep and catapults him back into a world he left behind. When a torso is found on the local beach, it's assumed it's from the same victim. That is until a second head turns up. As the investigation reaches fever pitch, Chief Inspector Ann Kathrin Klaasen, now assigned to the case, realises that the two victims are connected. Soon it's clear that this quiet coastal community is facing a brutal serial killer. One who is taking justice into his own hands . . .

Eric Ambler's novelistic career falls into two halves. In the first half belong the works he published between 1935-1940. These include the highly acclaimed "Epitaph for a Spy" (1938) and "The Mask of Dimitrios" (1939), both of which were made into successful films in 1944. The intrigue books of this period unfold in interwar Europe, a bitten-up, anxious place reeling between the extremes of fascism and Soviet communism. To reflect changes in the postwar world, Ambler set his later books in third-world countries where first-world financing collides with unstable, often revolutionary, politics--all within the shadow of large multinational corporations. These powerful firms with connections in high places take the same liberties as big governments have always done in works like "Dr. Frigo" (1974), the only Ambler book set in Latin America, and the best-selling "The Care of Time "(1981).

The theatrical world Terence Rattigan built is vital but disturbing and uniquely constructed. His sentences are not impacted or fractured, and his plots usually obey a linear time sequence. Yet his realism isn't all that real. Though sentence by sentence, his dialogue sounds natural, the creative pulse behind it is idiosyncratic and self-lacerating. As a gay man writing at a time when homosexuality was a felony in the UK, Rattigan wrote at a skewed angle to his culture, making his plays at times easy to follow but hard to fathom. Terence Rattigan: The Playwright as Battlefield examines the ways in which Rattigan's works turn their audiences into participants, encouraging intellectual independence and freeing them to make decisions for themselves as to the deeper meanings of the works. The playwright's omission of outright explanations deepens the audience's emotional commitment to the outcomes of the performance, and walks a fine line between restraint and invention. His works convey subtly and deceptively the cold obstinacy that thwarts our everyday actions in a way which that is felt viscerally by the audience. This book engages works from throughout Rattigan's early and late career to examine the unique methods by which the playwright conveys meaning to various audiences within an ever-changing sociocultural context.

Peter Wolfe's study of Penelope Fitzgerald's canon illuminates writings he characterizes as possessing unerring dramatic judgment, a friendly and fluid style, and lyrical and precise descriptive passages. In this survey of Fitzgerald's life and career, Wolfe explains how the British novelist brings resources of talent and craft, thought and feeling, courage and vulnerability, to the biographies and novels that have earned her renown. With readings of a broad range of her published works, including her final novel, The Blue Flower, Wolfe describes the unfolding of Fitzgerald's writing as a subtle, ongoing process. He maintains that the novels, though plain and rambling at first glance, grow fuller, stranger, and more stirring the more we invest in them. He details Fitzgerald's skill at sequencing events so as to unsettle readers and her ability to enhance motifs by not leaning too hard on them. Wolfe suggests that Fitzgerald's refusal to overplay effects and emotions, while at first puzzling in its disdain for drama, turns out to be one of her chief virtues, for she enables larger associations to emerge as she keeps big dramatic scenes from interfering with wider patterns. While enumerating Fitzgerald's many talents, Wolfe ultimately attributes much of her success to her style. He concludes that her exceptionally disciplined prose, which gives voice to her candor and compassion, imbues her work with a sense of mood, place, and character.

In 1833 Alexander Pushkin began to explore the topic of madness, a subject little explored in Russian literature before his time. The works he produced on the theme are three of his greatest masterpieces: the prose novella The Queen of Spades, the narrative poem The Bronze Horseman, and the lyric "God Grant That I Not Lose My Mind." Gary Rosenshield presents a new interpretation of Pushkin's genius through an examination of his various representations of madness. Pushkin brilliantly explored both the destructive and creative sides of madness, a strange fusion of violence and insight. In this study, Rosenshield illustrates the surprising valorization of madness in The Queen of Spades and "God Grant That I Not Lose My Mind" and analyzes The Bronze Horseman's confrontation with the legacy of Peter the Great, a cornerstone figure of Russian history. Drawing on themes of madness in western literature, Rosenshield situates Pushkin in a greater framework with such luminaries as Shakespeare, Sophocles, Cervantes, and Dostoevsky providing an insightful and absorbing study of Russia's greatest writer.

Raymond Chandler's eminence as a mystery writer is unchallenged. Somerset Maugham and George Grella both rate him above Dashiell Hammett; Eric Partridge deems him "a serious artist and a very considerable novelist," while praising him as "one of the finest novelists of his time." Peter Wolfe examines the many sides of Chandler and his work-his apparent will to self-destruct, his obsession with beautiful women, and his apparent brush with homosexuality-and casts much new and needed light on this major American author.

By mid-career, many successful writers find a groove and their readers come to expect a familiar consistency and fidelity. Not so with Henry Green (1905-1973). He prefers uncertainty over reason and fragmentation over cohesion, and rarely lets the reader settle into a nice cozy read. Evil, he suggests, can be as instructive as good. Through his use of paradoxical and ambiguous language, his novels bring texture to the flatness of life, making the world seem bigger and closer. We soon stop worrying about what Hitler's bombs have in store for the Londoners of Caught (1943) and Back (1946) and start thinking about what they have in store for each other. Praised in his lifetime as England's top fiction author, he is largely overlooked today. This book presents a comprehensive analysis of his work for a new generation of readers.